Evening Length Works

Memoirs of Jazz in the Alley

South Chicago Dance Theatre’s first evening length dance opera work, Memoirs of Jazz in the Alley, underscored the robust contributions of Black people to jazz culture in Chicago. This 75 minute work featured original choreography and direction from Resident Choreographer Kia S Smith, refreshing compositions from Isaiah Collier and a landmark performance from Isaiah Collier and the Chosen Few. The show was underscored with innovative projection designs from Rasean Davonte Johnson, Lighting Designs by Julie E. Ballard and Costume Designs from Trey Alexander.

The Rehearsal Process

Photography by Andrew Weeks

The Performance

Video by HMS Media

Memoirs featured in Imagining: A Gibney Journal
“Through the creation and presentation of Memoirs, I desire to bring awareness to the significance of a vibrant cultural happening that contributed to jazz as we hear and see it today in Chicago. Over the last year, I’ve found that the process of making dances helps me to connect to areas of life that I thought were lost, discover parts of myself that I didn’t know existed, and experience the reclamation of cultural narratives of importance to those in my community.”

Gibney Dance Journal

The performance of Memoirs was supplemented with a community engagement plan that serviced both the city’s south side and the greater Chicagoland area, in an effort to increase the life of the work beyond the proscenium stage.

Engagement around Memoirs of Jazz in the Alley included:

    • – The development of curricular materials around the history of jazz music and dance in Chicago for K-12 classroom instructors.
      – Main Company performances for 1,000 students at 12 local elementary and high schools in gymnasiums, cafeterias, and multipurpose rooms. These performances provided students with an experiential learning opportunity about this important history on Chicago’s south side and planted an initial seed for students to understand the pipeline from arts education to careers in the arts.
      – A community circle for students at the Walter H Dyett Public High School for the Performing Arts.

“Last year’s premiere of Memoirs of Jazz in the Alley proved a perfect showcase for choreographer and director Kia Smith. The evening-length “dance opera” exemplified her choreographic voice—note-by-note precision, fluid torso movement, unexpected gesture, powerful unison—and marked the debut of her 7-year-old company, South Chicago Dance Theatre, at the Auditorium Theatre, its largest venue to date.”

Kia S Smith named one of Dance Magazine’s 25 to Watch

“The very busy South Chicago Dance Theatre and/or its founder, Executive Artistic Director Kia S. Smith, have collaborated over the past year with the Chicago Opera Theater, Music of the Baroque and Giordano Dance Chicago; appeared in pretty much every local multi-company showcase of dance; and ran the theater’s own dance festival this past November. The company, only six years old, sold out its fifth anniversary show at the not-small Harris Theater in May 2022. Somehow, Smith also found the time to choreograph an evening-length work that’s about to have its world premiere at an even bigger venue: “Memoirs of Jazz in the Alley,” about the legacy of Smith’s father, saxophonist Jimmy Ellis. The accompanying score of jazz standards will be played live.”

Crains Chicago Business

“The sheer physicality of the two-act performance was astonishing. In a few seconds, the versatile SCDT dancers could transform from human marionettes sprawled flat onstage to swiftly soaring, airborne athletes. At one point, Taylor Yocum balanced on her right foot, lifted her left knee close to her chin, and clasped both hands beneath her left foot before continuing her fluid strides forward. It was a blink-and-you-miss-it move that reflected the levels of strength, stamina and limberness required to be in a company like SCDT.”

Downbeat Magazine

“Smith’s first evening-length piece, “Memoirs…” is a tour de force and a sensory immersion into this artist’s creative well-springs. ”

See Chicago Dance

“The ensemble is made of dancers dedicated to their craft who are also actors, giving the roles gravitas. This journey through the South Side of the 1960s and ’70s requires gravitas and a dedication to authenticity and to jazz music.”

Third Coast Review

“Alternately exuberant, eccentric and deeply troubling, this “Memoir” suggested the emotional heat and beat so elemental to “that thing called jazz.”

WTTW

“…the everywhere choreographer Kia Smith of South Chicago Dance Theatre.”

Crains Chicago Business

“Director Kia Smith’s star has risen at a phenomenal pace…”

Chicago Tribune

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