Memoirs of Jazz in the Alley
The Rehearsal Process
Photography by Andrew Weeks
The Performance
Video by HMS Media
Memoirs featured in Imagining: A Gibney Journal
The performance of Memoirs was supplemented with a community engagement plan that serviced both the city’s south side and the greater Chicagoland area, in an effort to increase the life of the work beyond the proscenium stage.
Engagement around Memoirs of Jazz in the Alley included:
-
- – The development of curricular materials around the history of jazz music and dance in Chicago for K-12 classroom instructors.
- – Main Company performances for 1,000 students at 12 local elementary and high schools in gymnasiums, cafeterias, and multipurpose rooms. These performances provided students with an experiential learning opportunity about this important history on Chicago’s south side and planted an initial seed for students to understand the pipeline from arts education to careers in the arts.
- – A community circle for students at the Walter H Dyett Public High School for the Performing Arts.
“Last year’s premiere of Memoirs of Jazz in the Alley proved a perfect showcase for choreographer and director Kia Smith. The evening-length “dance opera” exemplified her choreographic voice—note-by-note precision, fluid torso movement, unexpected gesture, powerful unison—and marked the debut of her 7-year-old company, South Chicago Dance Theatre, at the Auditorium Theatre, its largest venue to date.”
“The very busy South Chicago Dance Theatre and/or its founder, Executive Artistic Director Kia S. Smith, have collaborated over the past year with the Chicago Opera Theater, Music of the Baroque and Giordano Dance Chicago; appeared in pretty much every local multi-company showcase of dance; and ran the theater’s own dance festival this past November. The company, only six years old, sold out its fifth anniversary show at the not-small Harris Theater in May 2022. Somehow, Smith also found the time to choreograph an evening-length work that’s about to have its world premiere at an even bigger venue: “Memoirs of Jazz in the Alley,” about the legacy of Smith’s father, saxophonist Jimmy Ellis. The accompanying score of jazz standards will be played live.”
“The sheer physicality of the two-act performance was astonishing. In a few seconds, the versatile SCDT dancers could transform from human marionettes sprawled flat onstage to swiftly soaring, airborne athletes. At one point, Taylor Yocum balanced on her right foot, lifted her left knee close to her chin, and clasped both hands beneath her left foot before continuing her fluid strides forward. It was a blink-and-you-miss-it move that reflected the levels of strength, stamina and limberness required to be in a company like SCDT.”
“Smith’s first evening-length piece, “Memoirs…” is a tour de force and a sensory immersion into this artist’s creative well-springs. ”
“The ensemble is made of dancers dedicated to their craft who are also actors, giving the roles gravitas. This journey through the South Side of the 1960s and ’70s requires gravitas and a dedication to authenticity and to jazz music.”
“Alternately exuberant, eccentric and deeply troubling, this “Memoir” suggested the emotional heat and beat so elemental to “that thing called jazz.”
“…the everywhere choreographer Kia Smith of South Chicago Dance Theatre.”
“Director Kia Smith’s star has risen at a phenomenal pace…”