IN/WITHIN (2025)

IN/WITHIN

IN/WITHIN delves into the imaginary landscape of the lead performer as she ventures through the characters, objects and ephemera of her subconscious mind. Irrationally juxtaposed scenes spark joy and delight, absurdity, melancholy, empathy and actualization. IN/WITHIN jostles between authenticity and spuriousness through the language of contemporary dance theater.

Kia S. Smith

Director/Choreographer

Various Artists

Sound

Trey Alexander

Costume Design

Julie E. Ballard

Lighting Design

Jessica Miller Tomlinson

Rehearsal Director

Michelle Reid

Photo Credit

The Rehearsal Process

IN/WITHIN In The Press

See Chicago Dance

"Kia S. Smith’s IN/WITHIN offers a surreal journey into the subconscious, navigating the complex terrain of memory, emotion, and identity through the lead performer, Chloe Chandler. The piece immerses the audience in a world where irrationally juxtaposed scenes evoke a wide spectrum of emotions—from joy and absurdity to melancholy and empathy. Smith says that the work “represents me and my voice more than any other work I’ve choreographed. I envision this is the start of a new era for South Chicago Dance Theatre, with an emphasis on ‘theatre’ and a more narrative-driven model.” Chandler anchors this chaotic landscape, dressed in striking red heels, hot shorts and cool sunglasses. As she ventures through her subconscious, Chandler encounters eclectic characters, such as Elijah Richardson’s bumblebee-like creature and Brodie Wolf’s aristocratic, barking figure—both contributing whimsy and absurdity to the narrative. These characters symbolize the emotional turbulence of the subconscious, highlighting IN/WITHIN’s exploration of authenticity versus artifice."

See Chicago Dance

"The dancers of SCDT brought IN/WITHIN to life with remarkable skill, capturing the delicate balance of vulnerability and strength in Smith’s choreography."

"The work showcased Smith’s choreographic innovation and SCDT’s ability to communicate profound emotional and psychological truths through dance, making it a standout piece in the evening’s program."

Third Coast Review

"…this was a mind-blower"

"This was a carefully choreographed dance with order and disorder in the same space."

"I highly recommend looking for South Chicago Dance Theatre performances and keeping track of Kia S. Smith’s vision as it unfolds."

Chicago News Weekly

"The choreography modern, even futuristic, pushed boundaries and forced the audience to examine their own. It left us altered, urging us to consider what it means to live authentically and consciously"

New City Stage

SCDT named one of Chicago’s top 5 dance performances in the month of May by New City Magazine

Why IN/WITHIN?

In October 2024, SCDT completed a 10-day tour to Asia. We performed at the Seoul International Dance Festival in Tank and took part in a residency in Ho Chi Minh City Vietnam with Lyricist Dance Company under the Choreographic Diplomacy™ program. I traveled directly from Ho Chi Minh City to Harrisonburg, Virginia to create a world premiere for James Madison University. Without a full day between arriving in Virginia and commencing the rehearsal process, the jetlag was astounding. I never got a full night’s sleep and yet created the most profound piece of choreography that I had ever made on a group of students. The piece is entitled “Wheeling in Time” and follows a lead female character as she traverses through nonsensical scenes through 12 minutes of contemporary choreography.

I’m not sure if it was the lack of sleep or the inspiration of having returned from an international tour, but I experimented unintentionally with surrealism in a way that informed everything that I did for the rest of the season. I changed the title and concept of my long work for SCDT’s 8th home season from Limitless! A Celebration of Black Composers to IN/WITHIN and made space for the child like freedom to play. I prioritized following my gut instincts and considered my own needs in artistic process in a way that I had not yet done before with SCDT. From this experience came what I believe to be a landmark piece and a platform for new work that will encourage SCDT’s holistic growth and trajectory forward in the future.

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